ReDefinition of Photography
Pictures with my eyes
Is technical perfection a prerequisite for being a photographer?
Is perfection as such obtainable at all?
This is even more relevant with regard to Jean Baudrillard's theory of the 'simulacrum'. Analogously one could claim that photography as a simulation of the inaccessible reality is unsuitable to represent the latter properly.
Therefore is there an overarching, macronarrative-like theory of photography?